Wow. Wow. Wow.

If you have not discovered the Playful University Platform, drop what you are doing and go there now.

Before there was a Professors at Play, the PUP folks were doing paralell work in Europe, building a plaform for a more playful higher education.

With the publication of Playful Higher Education: Voices, Activities and Co-creations from the PUP Community, a brillaint and playful 250 page collection of insight, techniques and commentary, you now have a bible of play to sermonize at your instution.

We couldn’t be more delighted to see this publication made available!

The Wall

credit: https://unsplash.com/@hngstrmby Lisa Forbes

Let’s talk about the wall. Not the Pink Floyd album but the metaphorical wall that represents what stands between us and some type of change. I’m a mental health counselor so this topic could quickly get into talking about our shame and childhood traumas that hold us back and mandate our behavior to this day. Gulp. For the record, I do think those things should be a part of the exploration for each of us but I’ll spare you this time since you probably only came here to read about Pink Floyd.

So, I won’t go psychoanalytic on you but in order to do something new and break out of the status quo we have to figure out what stands in our way. That pesky wall of anti-change factors is to blame. Without identifying what makes up our “walls” and then working to overcome those factors, we likely won’t change. For example, you could really want to be a better friend but until you can figure out what gets in your way of actually being better, it will only be a half-assed aspiration and flimsy promises made to another person. Finding the barriers to the change is where the magic is…that’s just good ol’ advice for anything in life.

But since this is a blog on a website about play in higher education let’s start there. Lecture-based teaching seems to be this bad habit that’s been passed down from generation to generation of academics and we just keep doing it despite how boring and ineffective it is. I’m skeptical of any “tradition” or norm that’s been in existence for centuries and keeps being just “the way we’ve always done it.” Don’t even get me started on my disdain for traditions. 

Despite lecture-based teaching being the primary mode of education for so long, and even more recent literature indicating that lecture actually isn’t the most effective mode of teaching, many faculty are still slow to adopt a more active, engaged, or playful approach. It seems simple to me but I realize there are barriers that influence our way of existing in academia. I think there are some structural reasons for why it is the way it is in academia. It’s this way because it works for certain groups of people. In my heart I don’t think the traditional mode of teaching works for students but I think in a way it works for faculty. I don’t want to lump all faculty into one category or characteristic but I am talking broadly about academia being largely similar across institutions. 

So, let’s look at some of the bricks in the wall…

Safety and Comfort

It really is easier to continue to do what you know than to try new things and to potentially take a risk on something you are not certain about or may require you to give up some control. It may feel safer to continue to teach the way we do when students’ feedback on our teaching is considered in our promotion or merit review. Change is scary, especially when it’s trying something potentially out of your comfort zone. Not to mention, faculty work very hard on their lectures and lesson plans so who is happy about re-doing everything that you’ve worked so hard to construct. But we never learn or grow in our comfort zones so…

There’s Never Any Time!

Many faculty already feel limited in their time and resources so the thought of spending time doing something they don’t necessarily have to do for their job is off-putting to some. When I was a new faculty, I certainly felt the time crunch and as though I was just trying to stay afloat so there wasn’t much space for creative thinking at that time. The amount of roles, activities, committees, etc. that faculty are required to pour time into is a barrier for anything extra. But I’d rather spend extra time or protect my time to work on creative, fun and playful endeavors so to me it’s a choice…You make time for what matters to you.

Habit and Modeling

I think we can become creatures of habit in a sense where rigid lecture is modeled to us so it’s what we know and so when we’re finally faculty, we end up doing it that way too. Then our students see us teach in that way and then if they enter a teaching position, then it gets mindlessly passed down from generation to generation of academics. But if we recall boring lectures from our training days, we can admit we never learned very well that way so we need to be mindful about our approach to try something new.

Systems of Academia

As faculty, we are told to be innovative and creative and yet we are not rewarded for those things. Promotion and merit reviews tend to value quantity over quality. How many committees are you on? How many publications did you get? How many classes did you teach? How many students did you advise? These evaluation measures do not reward or support innovation, change, or reflective practice. How can we value a more playful, flexible, innovative approach if we don’t allow space for tinkering or failure? Sometimes the structure of higher ed and the policies we must navigate around limit our ability for excellence in teaching. To this I say: How can I break the rules without breaking the game?

Social Scripts of Play in Adulthood

There is a bias in adulthood and in academia that says seriousness equates to rigor and so anything that’s playful is often considered trivial or “soft” thus not holding students to high standards. This issue deserves much more space than I have given it here but the bottom line is, how we have been socialized to believe that play is something done by kids and not serious adults, is problematic. It’s problematic for our health and well-being and it’s problematic for providing adequate space and legitimacy for faculty to break out of the serious mold. We must resist societal messages that mandate people to one way of thinking and behaving. It’s a trap. It’s mind control. 

Deadpan Perception

The systems of academia as well as the social scripts of play in adulthood make it that a playful approach isn’t always taken seriously. This can lead to faculty feeling as though they need to fit the mold of seriousness. So, in the quest to be taken seriously, respected, and seen as a rigorous academic, we avoid playfulness like the plague. It’s fear-based mostly. But, like Will Smith says in After Earth: “danger is very real, but fear is a choice.” I truly don’t believe being playful is something that will get us fired. It might make some “deadpans” (as Alison James and Chrissi Nerantzi say) view you differently but in the end, whose approval do you really need? If you didn’t get your parent’s approval when you were little, you will be more likely to need the approval of other people as an adult. Okay, I promised I wouldn’t go all counselor on you but I just couldn’t help myself there. But there comes a point where we have to stop worrying about external perception and just follow our instinct and passions. If you limit your playfulness because you fear how you will be perceived, I dare you to try out counseling to work through that unmet need. 

So, there you have it. That pesky wall isn’t so scary. I like to view the wall prohibiting playfulness as a game to win. The reward? Playfulness! Joy! Fun! Career longevity, because without play, I’m toast. 

Lecture Breakers

If you have not heard of Barbi Honeycutt’s Lecture Breakers Podcast, you are missing out. Dedicated to providing resoures to profs ready to break away from the iron grip of the lecture, her posts and podcasts manage to balance high quyality content with an entertaining style. Check it out and be sure to sign up for her updates.

This week, David and Lisa had the chance to talk abvout play and professoring. You can listen to the podcast  here.

 

Emotions and Brain States LOVE Play

Emotions and Brain States LOVE Play

by Lisa Forbes

Before becoming an educator, I was first a mental health counselor. One of my very first counseling jobs was in an inpatient psychiatric hospital. The patients were struggling with severe mental health concerns – typically suicidal ideation, homicidal ideation, or some form of psychosis. It seemed that the longer someone worked there, the more likely they’d be to have negative views of the patients, didn’t believe patients or trust them. As a new counselor, this was disheartening for me – I didn’t want to become that. I wondered what was the breakdown and is there an antidote to professional negativity?

I’ve learned a lot from my work as a counselor and one thing is: I don’t think we can truly help someone until we are able to see the complexity of the human sitting in front of us. As a counselor, my effectiveness depends on my ability to see the humanity in people, their emotions, and attempt to understand their lived experience. And all of this is a choice and takes effort. Although education is different from counseling in many ways, it’s not all that different. Educators are in the business of human development. We are in the business of inspiring students to think critically, to grow and to expand their skill sets and mindsets. 

But oftentimes, I’ve witnessed academia being less than humanistic – the common and traditional approach we take to educating students demonstrates that…as well as some of the negative comments about students that I have seen. We need to consider why we teach in the way we teach and maybe see students in a different light. Of course we won’t be able to know our students’ stories on a deep and vulnerable level like a counselor would (and I don’t think we need that type of depth in education) but I do think we can see students more holistically and consider their emotions and brain states to challenge the ways we are static and ineffective in education. As well as considering how the status quo of academia may be limiting our effectiveness yet often goes unexamined.

We need to approach our teaching differently as well as see students differently –  beyond bodies in our classrooms. We have to understand our students on a humanistic level and consider how their brains work in the learning process. The traditional lecture-based mode of teaching does not produce the most optimal brain states for learning – the brain is poorly designed for formal instruction (Jansen & McConchie, 2020). I think formal education can actually make students passive, bored, and anxious. But, instead of blaming students, what if we attempted to see students holistically? What if we adjusted our approach to meet students where they’re at and design the learning environment to what they might need emotionally and to what their brains might need to learn best?

If we recall that the brain is the organ that drives all learning through the process called neuroplasticity (i.e., the brain’s ability to change, reorganize, and remap itself). Neuroplasticity is a vital consideration for academics (Jansen & McConchie, 2020) because we can either create an environment that optimizes students’ brain states for learning or we can create an environment that negatively impacts learning and minimizes neuroplasticity. And then depending on our awareness and our ability to take accountability – we can blame students for not being motivated and engaged learners. 

To enhance neuroplasticity and the learning process, there are various neurotransmitters that are responsible for strengthening that process. First of all, the stress hormone, cortisol, is actually detrimental to neuroplasticity so students who come to class with an anxious brain or who experience classroom environments that don’t soothe the anxious brain are fighting against the learning process (Jansen & McConchie, 2020; Taylor & Marineau, 2016). Dopamine is driven by joy, pleasure, and the reward response and higher levels of this hormone increase motivation, attention, and memory. Norepinephrine increases students’ mood and enhances their ability to concentrate by generating a sense of urgency and excitement. Acetylcholine is vital for learning as it is involved in memory and is released when we experience surprise and novelty. Oxytocin is released during social interaction and closeness with others. This neurotransmitter is important for learning as it increases students’ sense of safety in the environment and trust in others involved in the learning process. Oxytocin also lowers the threat that the brain perceives in the environment. For more on the citations used for this section: (Jansen & McConchie, 2020; Tang, 2017, Taylor & Marineau, 2016). 

So, if we can understand what neurotransmitters are responsible for and strengthen neuroplasticity, and if you know what types of experiences can release more of those neurotransmitters in students’ brains, you can better design your learning space and mode of education to support that process. Below is a compilation of the conditions and emotions conducive to brain-based learning and increasing the presence of those positive neurotransmitters.

  • Novelty 
  • Social connection
  • Relevance
  • Fun
  • Play
  • Engagement
  • Humor
  • Safety
  • Variety
  • Enjoyable activities
  • Surprise
  • Joy
  • Alertness
  • Motivation
  • Curiosity
  • Creativity
  • Relaxation
  • Excitement
  • Focus/attention
  • Effort
  • Trust

*This list and information on neurotransmitters are a compilation from brain-based and play-based learning literature. See references below. 

If you can increase these conditions and emotions in a classroom, you might increase the presence of the joy, learning, and concentration neurotransmitters involved in learning. But if you think about a traditional or typical classroom in higher education, does it support novelty, social connection, fun, engagement, humor, enjoyable activities, surprise, creativity, curiosity, etc.? Maybe somewhat but I’d venture to guess academia needs a learning overhaul. Otherwise, why do students often consider learning to be a chore or burden? 

What’s worse, I think as faculty we often blame students for being bored or disengaged and we expect or hope that they will be curious, open, and excited. But, we have more influence over their brain states and learning stance than we think – we just have to take accountability for how we are influencing them. Jansen and McConchie (2020) believe educators often look at teaching as “you can lead a horse to water but you can’t make it drink.” Essentially, I’m teaching them all of the facts and content they need to know but I can’t make them learn and when they struggle to learn we often blame the student. But what if we changed our perspective from you can’t make a horse drink to how can we inspire the horse to be thirsty (Jansen & McConchie, 2020). How can we inspire students to be more engaged and establish an environment that is more conducive to learning?

I’m pretty sure the answer is play but I might be biased. But, I’m also right. 

 

References 

Brown, S. (2009). Play: How it shapes the brain, opens the imagination, and invigorates the soul. New York, NY: The Penguin Group.

Hsu, A., & Malkin, F. (2011). Shifting the focus from teaching to learning: Rethinking the role of the teacher educator. Contemporary Issues in Education Research, 4(12), 43.

Jensen, E., & McConchie, L. (2020). Brain-based learning: Teaching the way students really learn. (Third ed.). SAGE Publications.

Tang, Y. (2017). Brain-based learning and education: Principles and practice. Academic Press, an imprint of Elsevier.

Taylor, K., & Marienau, C. (2016). Facilitating learning with the adult brain in mind: A conceptual and practical guide (First ed.). Jossey-Bass. 

Wang, S., & Aamodt, S. (2012). Play, stress, and the learning brain. Cerebrum (New York, NY), 2012, 12-12.

 

The Watchmaker of Lilles

The Watchmaker of Lilles

The foundation of unlocking play in teaching starts with having a playful soul. It’s not enough to deploy techniques, to gamifiy your course or dress up in costumes if you don’t start with a playful pose.

It’s common sense. But we often miss this fact in the race to restructure our classes as playgrounds.

To help get you thinking about your playful pose as a professor, I put together a short parable and a technique to help. Give it a try. And let me know what you think!

 

Download: The Watchmaker of Lilles

 

Image credit: https://unsplash.com/@numericcitizen

Precursors to a Playful Pedagogy

by Lisa Forbes

Fred Hanna was a faculty member who trained me in my masters and doctoral work. This man was playful in his own way. He had a self-deprecating humor and never took himself too seriously. One time, I accidentally dropped some popcorn on the floor in the middle of class and mid-lecture, he bent down, picked the popcorn off of the floor and ate it as if it was a socially acceptable thing to do in front of 20 students.. Then he made a joke about me not feeding the animals during class.

From then on, I always made sure to pack popcorn in my bag to see if he would do it again and again. 

Fred is also an extraordinary therapist who has loads of experience working with challenging clients. He’s worked with some of the hardest, most “resistant” clients and seemed to be able to respectfully break down their walls to create change in teens that most everyone else had written off. 

Throughout my studies, Fred taught me his Precursors of Change model that he used to assess clients to understand their readiness for change. The precursors are seven prerequisites needed for change to occur. The more precursors the client demonstrates, the more likely they will be to change. Part of the therapist’s job is to assess clients to determine which precursors might need some attention. Once the deficient precursors are addressed, the client’s change process becomes more open and fluid. 

The precursors model was established for working therapeutically with clients in a mental health setting but I think it applies to teaching too. I think there are people in any setting or discipline that are “resistant” or less likely to change and this precursors model provides some insight into expediting the change process.

Hanna’s therapeutic precursors to change are:

  1. A sense of necessity for change: recognized urgency for the importance for change to take place and that current conditions are not satisfactory.
  2. A willingness or readiness to experience anxiety: a willingness to experience and surrender to anxiety, difficulty, and discomfort that comes with change.
  3. Awareness of the problem: An awareness of the areas that are in need of change. Knowing that a problem exists and having a good sense of what that problem or issue is. 
  4. Confronting the problem: a steady and deliberate willingness to confront the problem in order to change despite the tendency to avoid or escape it. 
  5. Effort or will toward change: an effort or deliberate exertion of energy or resources used to solve the problem. It also involves a commitment and decision to change.
  6. Hope for change: having hope or an expectation that you can change. Hope sees the possibility of change, and motivates a person, knowing that change can be accomplished. 
  7. Social support for change: Having social support and access to relationships that are dedicated to the well-being of the person. Such relationships make the change process more tolerable and can inspire each of the previous precursors. 

I wonder if these same precursors can shed some insight on how faculty can demonstrate change and movement toward being more playful and utilizing play in their teaching. Using Hanna’s framework, I have adapted the therapeutic precursors for faculty attempting to change their teaching approach to include more of a playful pedagogy. Go ahead, take the self-assessment and see what precursors you might need to increase to advance in your journey to play in higher education!

For more information on the Precursors to a Playful Pedagogy – Self Assessment tool Lisa has developed, contact her directly via our About Page.

Photo by Mockup Graphics on Unsplash